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Video Green Screen Workflows

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By learning how to work with a green screen effectively, you can save the time and money you'd otherwise spend shooting on location and still end up with the right background for your scene. In this course, learn how to shoot green screen video and work with it in post-production. Digital video expert Rich Harrington kicks off the course by sharing everything you need to know to shoot good green screen, including the type of equipment you need, how to choose a green screen backdrop, and how to light your backdrop and subject. He also explains how to record the green screen, generate background plates, and process backdrops.


01 - Introduction
  • 01 - Welcome
  • 02 - What you should know before watching this course
  • 03 - Using the exercise files

  • 02 - 1. Deciding Where to Key Your Footage
  • 01 - When to key in Premiere Pro
  • 02 - When to key in After Effects

  • 03 - 2. Importing Footage to Key
  • 01 - Importing into Adobe Premiere Pro with the Media Browser
  • 02 - Correctly interpreting fields and frames
  • 03 - Performing a test key from your cameras card

  • 04 - 3. Keying in Adobe Premiere Pro
  • 01 - Stacking layers for keying in Adobe Premiere Pro
  • 02 - Using the Ultra Keyer
  • 03 - Refining the Ultra Keyer with mask generation
  • 04 - Cleaning up a mask in Ultra Keyer
  • 05 - Final green-screen colorgrading to match
  • 06 - Creating green-screen previsualization
  • 07 - Sending a Premiere Pro green-screen sequence to After Effects

  • 05 - 4. Keying in Adobe After Effects
  • 01 - Importing projects from Premiere Pro
  • 02 - Using Dynamic Link
  • 03 - Using Keylight
  • 04 - Refining Keylight
  • 05 - Using masks with Keylight
  • 06 - Creating a 3D scene
  • 07 - Enhancing a key with 3D lights
  • 08 - Rescuing a bad key
  • 09 - Refining a bad key

  • 06 - 5. Processing Backdrops in Photoshop
  • 01 - Defocusing backdrops in Photoshop
  • 02 - Applying depth-of-field blur in Photoshop
  • 03 - Designing custom blurs with the Photoshop Blur Gallery
  • 04 - Creating a custom blur in Photoshop

  • 07 - 6. Backdrop Techniques
  • 01 - Extruding a still in 3D space to create a backdrop
  • 02 - Using a panoramic photo as a virtual set
  • 03 - Using an panoramic photo as a camera map

  • 08 - 7. Exchanging Transparency Data
  • 01 - Rendering a movie with a straight alpha channel
  • 02 - Rendering a track matte and fill movie

  • 09 - Conclusion
  • 01 - Next steps
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    تاریخ انتشار: 11 اردیبهشت 1403
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