3D Character Art with Antonio Esparza

سرفصل های دوره

01 - Rough Sculpt

3 DCA L1 Files 49c03a3475.zip

01 - Meet Antonio
02 - Breaking Into the Industry

01 - 3D Character Artists Role
02 - Creating 3D Character Art
03 - PureRef
04 - Reverse-Engineering Characters
05 - Reverse-Engineering Characters Homework

01 - ZBrush Basics
02 - DynaMesh
03 - ZRemesher & Subdivision
04 - Other ZBrush Tips
05 - The 5 Essential Brushes
06 - Sculpting Best Practices
07 - Essential Sculpting Techniques

01 - Choose Your Path
02 - Reference and Inspiration
03 - Ideation or Breakdown Homework

01 - Basic Mask Shapes
02 - Costume Initial Layer

01 - Rule of Cake
02 - Rule of Three
03 - 70-30 Rule
04 - Rule of Contrast

01 - Note on Video Speeds
02 - Silhouette
03 - Planning Functionality
04 - Creating a Functional Piece
05 - Design Language
06 - Rough Sculpt Homework

01 - Thoughts on Refinement
02 - Refined Rough Sculpt Review

Final Shapes Homework

02 - Detailed Sculpt

Designing Details as a 3D Character Artist

01 - ZRemesher
02 - Custom Optimized Topology
03 - Prepping the Topology Homework

01 - Performance Settings
02 - Fundamentals of Clothing Folds
03 - Adding Clothing Folds
04 - Clothing Seams
05 - More Rigid Materials
06 - Small Wrinkles
07 - Clothing Details Homework

01 - Separating into Polygroups
02 - Adding Mask Details
03 - Mask Detail Review
04 - Detailed Hero Piece Homework

01 - Tip for Creating Detailed Pieces
02 - Exploring Detailed Pieces
03 - Detailed Character Review
04 - Remaining Details Homework

01 - Decimation
02 - Posing in ZBrush
03 - Rendering from ZBrush

Presenting Your Sculpt Homework

03 - Optimizing

3 DCA L3 Files 83707d2260.zip

Organization Intro

01 - Advanced Decimation
02 - Moving into Other Software

01 - Low-Poly Intro
02 - Low-Poly Basics
03 - More Detailed Low-Poly
04 - Stretching Areas
05 - Silhouettes
06 - Low-Poly Layers
07 - Low Poly Mesh Homework

01 - Understanding UVs
02 - Prepping for UVs
03 - Creating UVs
04 - UVs Layout
05 - Auto Remesh and Auto UV
06 - UV Homework

01 - Alternatives to Substance Painter
02 - Substance Painter UI Overview
03 - Export for Bakes
04 - Introduction to Baking
05 - Baking

Baking Homework

04 - Materials

3 DCA L4 Files c2b5d73227.zip

01 - Painting and Masking
02 - General Material Creation

01 - Material Creation Examples Intro
02 - Plastic Materials
03 - Metal Materials
04 - Fabric Materials
05 - Other Tips and Tricks
06 - Make Your Own Materials Homework

01 - Shoulder and Leg Guards
02 - Mask
03 - Arms
04 - Grenades

01 - Using Iray
02 - Export Your Textures

Final Materials Homework

05 - Presentation

3 DCA L5 Files 12dfc56679.zip

01 - Coming Back to ZBrush
02 - Props for Presentation
03 - Posing the Finished Character
04 - Posing Homework

01 - Basic Unreal Tools
02 - Import Your Character Maps
03 - Importing Megascans Assets
04 - Basic Unreal Setup Homework

01 - Creating a Master Material
02 - Custom Dirt in Substance
03 - Applying the Dirt in Unreal
04 - Master Material Homework

01 - Lights and Cameras
02 - Lighting Inspiration
03 - Building a Scene
04 - Post-Process Volume
05 - Rendering
06 - Paintover

01 - Importing Into Marmoset
02 - Setting Up the New Scene
03 - Render Passes
04 - Alternate Render Paintover
05 - Thoughts on Final Presentation
06 - Presentation Homework

01 - Exploring More Renders
02 - Breaking Down the Art in Unreal
03 - Collaborating on Animations

Building a Portfolio

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شناسه: 44873

حجم: 9188 مگابایت

مدت زمان: 975 دقیقه

تاریخ انتشار: ۱ تیر ۱۴۰۴